In the interviews Lorca gives to the press the following day, he complains, once again that La zapatera prodigiosa (The Shoemaker’s Prodigious Wife), written several years earlier, no longer represents his vision of theater.
In the interviews Lorca gives to the press the following day, he complains, once again that La zapatera prodigiosa (The Shoemaker’s Prodigious Wife), written several years earlier, no longer represents his vision of theater.